Mayor Bob Harvey
What I've been thinking
It's election season again. The faces of candidates are grinning out of signs on roadsides and street corners around the city. I'm an old hand with a hammer. In the many hours I've spent battering in those hoardings in the last 18 years, I've always made an effort to take note of the signs put up by my fellow hopefuls. They've given me a good idea of whether there's going to be a good crop of people leading the city.
This year's Council candidates look good. There seems to be a mix of contenders with experience, energy and creativity. Many of them are new to local government. Others are respected, hard working veterans with a vision for the future of Auckland. They have a good chance of navigating the political minefield that is likely to be the first term of the Auckland Council.
It's a different story when it comes to those standing for local board. Our great new community representatives are looking like the same tired, recycled faces that have for so long acted as a roadblock to any hint of change. They're easy to spot. Most were unable to muster a smile, even a decade ago when their election photo was shot. Their slogans are short and angry. And they are mainly known for stopping things happening rather than making them happen. These candidates are potential kryptonite to democracy and vision in the new Council.
What these local boards need is vitality and enthusiasm. That's why I've come up with my own list of signs you shouldn't be standing for a local board. There's going to be exceptions, but here are some rules of thumb:
-
You're over 70. If there's one thing we need more than people that are excited about the future of Auckland, it's people who are going to live to see it.
- You find yourself pining for the good old days. Auckland's future is going to be radically different from the past whether we like it or not. Being involved in the new council means committing to making it work, not bringing it down.
- You just want to oppose things. One of the great problems of politics is that you can fill a rugby field with people wanting to oppose an idea, but only a phone booth with those wanting to cheer something on. Let's vote for people who are about we can do for this city, rather than what we can't.
- You're a technophobe. If you can't use email, text or even master a hands free car phone, don't think about standing for what will be a very modern and community focussed role.
- You can't work with what you've got. Hide, Key, Twyford and Banks/Brown are names you'd better get used to, because they sure aren't going away soon.
- You're an aging Che Guevara. You're not going to be leading a revolt against the Auckland Council. No-ones going to follow you on your march to Wellington to complain about decisions.
So there's your checklist. If any or all of the above applies to you, it's probably a better idea to be booking a spot for recreational fishing in Kaitaia than standing for office. That will only cause stress and increase your heart attack risk. Don't blame me if your life turns to custard. After all, I'm from the Council and only here to help.
That's the bad news. The truth is if I had come up with a list of reasons why you should stand for local government, they would fill the rest of this report. That's why I remain optimistic for the future. I still believe we will get people with good ideas and the ability to make them a reality. But the naysaying, small mindedness and patch protection needs to go. This new Auckland Council will be bigger than that. It's going to be about the next 100 years of this city, not the last 20. Our local representatives should be as well.

What
I've been reading
The Invention of New Zealand Art and National Identity 1930-1970
Francis Pound Pub : Auckland University Press
Here is a masterpiece. Author Dr Francis Pound, formally of
Auckland University and now an independent curator, took 25
years to research and write this momentous and comprehensive
work on the development of art and literature in New
Zealand. It is an account of how our national identity grew
from the ideas of our artists and creative thinkers.
The book pays homage to McCahon, Fairburn, Angus and the erudite Holcroft.
Many more join the cast of those who have defined our creative psyche.
Brilliant and original in its thinking and rich in depth, it is as much a national treasure as the art it pays tribute to.
It gives us a reason to exist. That's good enough for me.
Longing and Belonging
Edwina Pio Pub : Dunmore Publishing
Pio writes and edits a tapestry of tales from the diverse
migrants who have travelled to these shores seeking better
lives. She reminds us that we are becoming a "polyeurasian"
country. Her stories are rich and emotional. They are also
of today. Many of these new Kiwis do not pay much attention
to the legacy of their forefathers who were treated so
appallingly by this country. Instead they forge new
beginnings and new thinking, shattering stereotypes and
generalisations.
At once a social history and a conversation about
neighbourhoods, Longing and Belonging is a conversation
about the other half lives. It is an account of what it
means to be a migrant in today's New Zealand.
New Zealand Birth Certificates: 50 of New Zealand's Founding Documents
Paul Moon Pub: AUT Media
I'm always impressed by a new work by Moon, Professor of History at AUT University. Prolific and
knowledgeable, in this book he adds a fresh and insightful
take on the documents that shaped much of New Zealand's
history. Using letters and notes on everything from the
design of the New Zealand Flag, the Treaty and Land
Purchases to executions and war declarations, Moon gives a
bold and courageous analysis of a nation's past. The book
evokes and inspires more study. It challenges your
assumptions. It is also aesthetically pleasing. The
handwriting of our ancestors was simply beautiful.
Into the West: 1836-1936
Jan Barnes Pub: Protect Piha Heritage Society Inc
Probably one of the few good things to come out of the Piha
Café battle was the Protect Piha Heritage Society's desire
to publish more books on the West. This one was an absolute
gem for those interested in the land transactions and the
settlements on the West Coast.
Barnes is a descendent of
the Brabazon and Ussher families who farmed on the coast in
the 1860s. She combines her passion for the environment and
research in this concise and easy-to-access new history. New
maps and settler grants are discovered for the first time.
Land holdings are fully and accurately documented.
For sale at Gone West Titirangi.

What I've been viewing
Woodstock
Michael Wadleigh
Running time: 185 minutes
Go see what we looked like 40 years ago before KFC and
McDonalds wrecked our lives. Didn't we look young, brown and
skinny? We were free and in love. It was the age of flower
power. Vietnam raged outside, but for three days on that
dairy farm near New York, peace reigned. Joan Baez, Crosby,
Stills and Nash and Jimi Hendrix provided the music. It was
the sound of a generation staking its claim in history.
Strength of water
Armagan Ballantyne
Running time: 86 minutes
Ten-year-old twins Kimi and Melody live on the shores of the
Hokianga. A tragedy changes everything and everybody.
Beautifully shot and acted, this is clearly the best New
Zealand film of the year. A fine piece of work.
Rain of the Children
Vincent Ward
Running Time: 130 minutes
I spent many years on the Film Commission, and one of the
sadnesses and also one of the joys was dealing with the
hopes and ambitions of Vincent Ward as he would pitch his
new films to the commission. I consider Ward to be one of our truly great
creative artists in film; multi talented and totally and
absolutely committed to his craft. Rain of the Children is a masterpiece. It takes a timeline
from his early short film, In Spring One Plants Alone,
probably the best short film ever made in this country. Ward
made this film aged 21, fresh out of film school, and the
subject of the film, Puhi, is revisited in The Rain of
Children. This new feature answers some of the mysteries
that the original work held. Returning to the Ureweras and
the site of the original film, Ward now enlarges the scope,
vision and cast; flashing backwards and forwards as we begin
to understand the mysteries and the deep emotional tragedies
that were held sacred to Tuhoe and the Urewera community of
Maungapohatu in the time of Maori prophet, Rua Kenana. Be
prepared for an emotional heart rending epic. Totally
amazing, absorbing. Unforgettable.

What I've been listening to
Soldiers
Soldiers
- Great North
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The
Warrior in Me - Lori Crandall |
Sister
Moon - Luke Hurley |
Artist: Great North
In a crowded music industry, where anyone with a guitar or a
set of drums can make a CD, it's hard to spot a new sound.
Well, Great North is just that.
Hayden Donnell is the voice and writing brains behind this
extraordinarily powerful CD. Lyrics make the difference -
always have. It's the songs that matter. Black River is an
outstanding track in a stunning line up.
Go buy it soon for you and your best friend. Ten stars.
The Warrior in Me
Artist: Lori Crandall
Born in cowboy country but now a Westie, Lori is a woman on
a mission. What a voice and what a message.
At a time when New Zealand is being told "It's not OK" Lori
tells about the hell and heartbreak of violence and its
destructive path. She sings with a pure rich poignancy.
Track 2 is astounding - the back up sound rich. Lori is a
natural treasure. A singing hero of a massive battle against
domestic violence. Every home should have one.
Sister Moon
Artist: Luke Hurley
Hurley is one of New Zealand's finest artists. An insider
whose talent is undeniable. His question on the Erebus
tragedy is a milestone in New Zealand music. Sister Moon is
a brilliant return to his pure essence. Only Love and
Nothing in Return are simply brilliant.
A street and concert performer as well as a city busker
Hurley is a man who understands the way we work and who we
are. Great cover art is by Russian artist Elena.

What I've been saying
Mayor Bob Harvey's Memorable Quotes
- Often the people who slip on banana skins are the
ones who peeled the bananas in the first place.
- It's not hard for roosters to quickly become feather
dusters.
- You can fill a hall with people who are against
something and only a phone box with people trying to
cheer something on.
- Westies will do anything if you ask them and nothing
if you tell them.
- In politics it's wrong to be right too soon.
- Never mark the spot where you have buried the hatchet.
- My Councillors do all the heavy lifting, I just do
leadership.
- The Council propose and the voters dispose.
- If you get a lemon, make lemonade.

Top picks for 2009
I've never been more grateful for great culture,
entertainment and eating than in 2009. They provided a
welcome break from the gloom of economic recession and super
city reform.
Let's hope for more of the same in 2010.
See the full list of awards below:
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Full list of
awards (Size 54K)

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